Outdoor Explorer, June 2000
Lasting Memories
"What an amazing job that must be," is the common response
when I tell people I'm an outdoors writer. "Sometimes,"
I say, "but it's not nearly as glamorous as you might think."
What job is? Movie stars frequently rise before dawn to do the same
scene over and over again. To stay trim, models confront a slew
of eating disorders. Baseball stars spend much of the season away
from home, desperately missing their young families. And writers,
even the outdoor scribes, spend half their lives alone in their
cubby holes, pounding away at their keys. When the writing flows,
it can be an exhilarating ride down the rapids of a serpentine river.
When words appear on the screen slower than a retreating glacier,
frustration and insecurities loom large, and the dangers of alcoholism
that consumed the careers of so many Hemingways and Hammets feel
alarmingly attractive.
Then there are the misadventures that occur in the field. Sure,
the highlights have been numerous. The luxury of venturing deep
in the wilderness for another session of solace is a gift I try
not to take for granted. There was a twilight walk around a pond
of hippos and crocodiles in South Africa's Kruger National Park.
Canoeing Maine's Allagash River in early fall as the leaves turned
a shade crimson and the normally mute moose, in heat, was as talkative
as Bullwinkle. A hike in Chile's Torres del Paine National Park,
where a twisted mass of monoliths and hoodoos rose some 10,000 feet
from the dry Patagonian steppe, seemingly piercing the clouds overhead.
An elephant trek and bamboo raft ride through the verdant Hill Tribes
country of northern Thailand. A dive on Fiji's multi-hued Rainbow
Reef where I suddenly found myself surrounded by hammerhead sharks,
turtles, manta rays, and schools of fluorescent fish.
These were all thrilling adventures that jump-started the ole adrenaline
and increased the pulse. Yet, there were mishaps or not-so-glamorous
moments on every one of these jaunts that, somewhat ironically,
stay with me far longer than the images of scenery or wildlife sightings.
When I returned from my little stroll at Kruger, I was covered from
head to toe with ticks. Only a shower of turpentine would remove
the little critters. Sleeping on the shores of the Allagash one
night, I awoke in the middle of the night to a loud "MOOOO-AAAAAAHHH"
that reverberated through the woods like a Chinese gong. I crawled
out of my tent moments before two large moose took over my sleeping
area to fornicate. In Torres del Paine, I found myself in a fetal
position, hugging a rock for dear life as sixty-mile-per-hour winds
pelted sand across my face. I felt like Lawrence of Arabia negotiating
the Sahara in a sandstorm. Perhaps I shouldn't have gregariously
shared beetroot with the indigenous tribes of Thailand. Hours later,
I ended up with a grueling case of dysentery despite a rural doctor's
assistance. Worst of all was Fiji. By the nature of the sport, scuba
diving can only take up 3 to 4 hours of the day. The rest of my
trip was spent on an absurdly small Fijian island where five honeymooning
couples engaged in the only other activity. Time passed as I stared
at a palm tree trying to remember where I left my reading materials.
Until lately, few of these items ever appeared in a published article.
Whenever I attempted to reveal anything in the least bit negative
about a location, editors were quick to cut those paragraphs, emphasizing
only the sleek veneer. Perhaps, they were scared of losing huge
advertising revenue from that particular country, or, more realistically,
they wanted to paint a perfect picture of a place to better entice
and excite readers. Humans aren't quite so gullible. Indeed, they
empathize with adversity. Re-read the fables from your childhood,
with their happy endings, and you'll always find the protagonist
overcoming some degree of uncertainty. After all, how could you
root for Cinderella if there was no wicked stepmother? Where would
Robin Hood be without that tyrant King John and his lackey, the
Sheriff of Nottingham?
No jaunt in the outdoors that lasts more than four days is going
to be sublime every moment. Sure, there is always that ideal day
when the sun beats brightly and you have the whole mountain to yourself.
The rare sightings of moose, shark, or hippos that leave your heart
racing for hours. Then there are days when you're portaging a canoe
for a mile in the Adirondacks and your only wildlife encounter is
a swarm of feasting mosquitoes buzzing around your head, a la Raiders
of the Lost Ark. A steep five-hour hike up to the summit of New
England highest peak, Mount Washington, only to be accosted by a
cigar-chomping fool who drove up the mountain on the auto road.
"Hey, how long did it take ya?" he says between puffs.
Or the bonefishing trip to Eleuthera, Bahamas, where you fail to
hook one bonefish, but caught a really nice sunburn.
This is why we crave the outdoors. Not for some cookie-cutter experience
where the skies are always blue, the rivers glide effortlessly,
and the hiking route is perfectly groomed. This skewed version of
reality doesn't incorporate any sense of spontaneity or accomplishment.
It's far more rewarding and thus far more memorable to clamber up
the final rocks to the summit under a deluge of rain; to be caught
with your mountain bike in a bog, mud up to your thighs; to have
your canoe stuck on the bed of a shallow stream and to step into
the frigid waters to drag it along. Far from the staid environment
of work, you meet the unexpected in a foreign place, and you somehow
managed to push onward. As Julius Caesar said of his own battles,
"Veni, vedi, veci." I came, I saw, I conquered.
Arguably, outdoor writers are far more adept at dealing with Mother
Nature and her myriad of moods. We've had more practice. Plus, many
of us have drifted from profession to profession, not quite sure
where our career is going or if we have one at all. No one grows
up wanting to be an outdoors writer-as far as I know. We just cling
to our desires, hoping one day to make a living that integrates
our passion for the wilderness. Along the way, we take all sorts
of odd jobs, from chemical engineering to leading tours to waiting
tables, adapting to every fork in the road. This translates well
in the wilds where the only constant is change.
Unpredictability is the name of the game in the publishing world
as well. Unlike the past, when publications weaved rhapsodic tales
about a place, not caring about a writer's woes, many outdoor magazines
are now going to the opposite extreme, focusing solely on the writer's
struggle with little regard to place. This I call the Krakauer factor,
a new trend that rides the coattails of Jon Krakauer's hugely successful
book, Into Thin Air. To sell magazines, publications want to emulate
Krakauer's experience of standing atop the world's tallest peak
while others in his party, including two experienced Everest guides,
perished. This concept of risking your life to truly savor an adventure
is tragic.
For a while, I got sucked into this nonsense. Two summers ago,
I took an assignment to whitewater raft with a local outfitter down
a previously uncharted river in the thick of British Columbia. On
the second day, we came upon two Class V+ (most dangerous) drops.
At the first drop, we all wisely walked around. On the second rapid,
high levels of testosterone obscure our better judgment. We fly
over the falls and almost instantaneously find ourselves being sucked
underneath it. The self-bailing raft starts to fill up as we slowly
sink further into a hole underneath the spray of water. We're on
the edge of a toilet bowl that never stops flushing. I can barely
move under the weight of the rising water and the 235-pound guy
to my left, who now sits on top of me. Seconds before I'm about
to jump ship (and most likely, be flushed down the toilet forever),
we spot people on a nearby spit of land and wisely throw one of
our lines to them. They pull us out of the hole and we continue
on our exploratory venture.
Upon my return home the following week, I took my young son on
a short walk in the woods. We hear bullfrogs trilling, find turtles
sunning on upturned logs, and look upward to see how high the spruces
soar. On the return trip, it starts to rain and I follow my son
as he yells and runs zigzag back to the car. One doesn't need to
be an outdoors writer on a seductive assignment to find adventure
in the wilderness nor do you have to risk death. All you need is
the will to step outside and face the unknown.

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